St. Willibrord had been obliged to leave Friesland for his monastery of Echternach. St. Boniface consequently used his time to examine the situation and to speak to King Radbod. Having accessed the situation, he realized the futility of staying and returned home in the autumn. They tried to force him to stay by electing him abbot on the death of Abbot Winbert. In 718, he left for Rome, carrying letters of commendation from Bishop Daniel of Winchester. He was well received by Pope Gregory II, who kept him there for a year, and then sent him forth with a general commission to preach God’s word to the heathen.
Her first public appearance as a coloratura soprano under the name of Alpár was in 1923 at the Magyar Állami Operaház (Hungarian State Opera House) in Budapest. In 1927 she started to sing at the Wiener Staatsoper (Vienna State Opera). Her career there was promoted by eminent conductors such as Erich Kleiber. Later she moved on to Berlin, where she sang in operas like ‘Die Zauberflöte’ (The Magic Flute) by W.A. Mozart as the Queen of the Night, ‘Il barbiere di Siviglia’ (The Barber of Seville) by Gioacchino Rossini, and ‘Rigoletto’ and ‘La Traviata’, both by Giuseppe Verdi. However, they must be careful if they do, as these brokers lack broker licenses.
She was the daughter of a gingerbread baker from Nürnberg (Neurenberg). After commercial school she followed piano classes and as a fifteen year old she started singing in a chor in neurenberg, and subsequently in operettas in Hanau and Mannheim. Her career really started in 1908 as an operetta soubrette with a performance in Wiener Blut/Vienna Blood in Mainz, and in 1911 she moved to Berlin for an engagement at the Neue Operettentheater. More Berlin engagements followed in theatres like the Lessingtheater and the Deutschen Theater.
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When Hitler came to power, the Jewish actress went in exile and had a new career in the US as a choreographer and writer. Josephine toured the United States with The Jones Family Band and The Dixie Steppers in 1919, performing various comical skits. When the troupes split, she tried to advance as a chorus girl for The Dixie Steppers in Sissle and Blake’s production Shuffle Along.
She attracted most attention in stage musicals and revues, such as Broadway and Es Liegt in der Luft/It’s in the Air. In Europe, Anna May Wong became a sensation in the German film Schmutziges Geld/Show Life (Richard Eichberg, 1928) with Heinrich George. In Vienna, she played the title role in the stage operetta ‘Tschun Tschi’ in fluent German. Wong became an inseparable friend of the director, Leni Riefenstahl. According to Wikipedia, her close friendships with several women throughout her life, including Marlene Dietrich, led to rumours of lesbianism which damaged her public reputation.
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He was survived by his second wife, actress Trude Marlen. Anna May Wong became more outspoken in her advocacy for Chinese American causes and for better film roles. Because of the Hays Code’s anti-miscegenation rules, she was passed over for the leading female role in The Son-Daughter (Clarence Brown, 1932) in favour of Helen Hayes. Metro-Goldwyn-Mayer deemed her ‘too Chinese to play a Chinese’ in the film, and the Hays Office would not have allowed her to perform romantic scenes since the film’s male lead, Ramón Novarro, was not Asian.
On April 8, 1975 Josephine premiered at the Bobino Theater in Paris. Celebrities such as Princess Grace of Monaco and Sophia Loren were in attendance to see 68 yr old Josephine perform a medley of routines from her 50 year career. Josephine served France during World War II in several ways.
- On the wedding day she runs off with the man she really loves, her cousin André (Wolf Albach-Retty).
- On Broadway, she starred in the drama ‘On the Spot’, that ran for 167 performances and which she would later film as Dangerous to Know (Robert Florey, 1938).
- He was survived by his second wife, actress Trude Marlen.
Amongst a compilation of acts, Josephine and dance partner Joe Alex captivated the audience with the Danse Sauvage. Everything about the routine was new and exotic, and Josephine, boldly dressed in nothing but a feather skirt, worked the audience https://limefx.group/ into frenzy with her uninhibited movements. Jovial, pleasantly plump Hans Albers (1891 – 1960) was a superstar of the German cinema between 1930 and 1945. He was also one of the most popular German singers of the twentieth century.
From 1941 to 1945, Trude Marlen belonged to the ensemble of the renowned Burgtheater in Vienna. She only appeared in a few films such as Fahrt ins Abenteuer/Trip Into Adventure (Jürgen von Alten, 1943) with Winnie Markus and Die beiden Schwestern/The Two Sisters (Erich Waschneck, 1943) starring Gisela Uhlen and Marina von Ditmar. From 1943 she lived with the actor Wolf Albach-Retty), father of Romy Schneider. After his divorce from his first wife Magda Schneider, he married Trude Marlen in 1947.
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She was rejected because she was «too skinny and too dark.» Undeterred, she learned the chorus line’s routines while working as a dresser. Thus, Josephine was the obvious replacement when a dancer left. The audience loved her comedic touch, and Josephine was a box office draw for the rest of the show’s run. She was born Freda Josephine McDonald in St. Louis, Missouri, on June 3, 1906 to washerwoman Carrie McDonald and vaudeville drummer Eddie Carson. Eddie abandoned them shortly afterward, and Carrie married a kind but perpetually unemployed man named Arthur Martin.
Wong spent the first half of the 1930s travelling between the United States and Europe for film and stage work. She repeatedly turned to the stage and cabaret for a creative outlet. On Broadway, she starred in the drama ‘On the Spot’, which ran for 167 performances and which she would later film as Dangerous to Know (Robert Florey, 1938). According to Wikipedia, her close friendships with several women throughout her life, including Marlene Dietrich, led to rumors of lesbianism which damaged her public reputation.
London producer Basil Dean bought the play ‘A Circle of Chalk’ for Wong to appear in with the young Laurence Olivier, her first stage performance in the UK. Her final silent film, Piccadilly (Ewald André Dupont, 1929), caused a sensation in the UK. Ironically, Wong caught their eye and she was offered a contract with Paramount Studios in 1930. She was featured in such films as Daughter of the Dragon (Lloyd Corrigan, 1931) as the vengeful daughter of Fu Manchu (Warner Oland), and with Marlene Dietrich in Shanghai Express (Josef von Sternberg, 1932).
- She was featured in such films as Daughter of the Dragon (Lloyd Corrigan, 1931) as the vengeful daughter of Fu Manchu (Warner Oland), and with Marlene Dietrich in Shanghai Express (Josef von Sternberg, 1932).
- His song Auf der Reeperbahn nachts um halb eins (On the Reeperbahn at half past midnight) is the unofficial anthem of Hamburg’s neighborhood of St. Pauli, famous for its brothels, music and night clubs.
- German film and screenwriter Maria Solveg or Maria Matray (1907–1993) was a star of the late Weimar cinema.
- Mozart as the Queen of the Night, ‘Il barbiere di Siviglia’ (The Barber of Seville) by Gioacchino Rossini, and ‘Rigoletto’ and ‘La Traviata’, both by Giuseppe Verdi.
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The young Marie Magdalene and her elder sister, Elisabeth, were brought up strictly in an upper-middle-class Prussian home. It would be this influence which would shape her acting career and her life as a citizen in years to come. Dietrich attended school in Berlin and Dessau from 1907 to 1919. She studied violin and became interested in theatre and poetry as a teenager. Her dreams of becoming a concert violinist were cut short when she injured her wrist.
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The film also introduced another favourite song, The Boys in the Back Room. She played a similar role with John Wayne in The Spoilers (Ray Enright, 1942). In December 1941, the US had entered World War II, and Dietrich became one of the first celebrities to raise war bonds. She toured the US from January 1942 to September 1943 and it is said that she sold more war bonds than any other star. During two extended tours for the USO in 1944 and 1945, she sang and performed the singing saw for Allied troops on the front lines in Algeria, Italy, England and France. For musical propaganda broadcasts designed to demoralize enemy soldiers, she recorded a number of songs in German, including the ballad Lili Marleen.
This was followed by stage engagements in Brno, Berlin and Vienna. Trude Marlen, as she then called herself as an artist, became a busy actress at the theatre, as well as on the screen. In 1933 she made her feature film debut in the romantic comedy Des jungen Dessauers große Liebe/A Prince’s Young Love (Arthur Robison, 1933) starring Willy Fritsch.
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In addition, she gave numerous guest performances with touring companies. (1947) and could be seen in Leckerbissen/Gems (Werner Malbran, 1948), a rather unambitious potpourri of eighteen formerly popular cinema productions in random order. In 2001 she starred alongside Leon Askin in Ene mene muh – und tot bist du/Eeny, meeny, miny, moe – and you’re dead (Houchang Allahyaris, 2001). It was to be the last film appearance for both old stars. On television, she was only seen a few times, such as in a supporting role in an episode of the Krimi series Tatort (1996).
Wong’s cabaret act, which included songs in Cantonese, French, English, German, Danish, Swedish, and other languages, took her from the U.S. to Europe and Australia through the 1930s and 1940s. She paid less attention to her film career during World War II but devoted her time and money to helping the Chinese cause against Japan. Wong starred in Lady from Chungking (William Nigh, 1942) and Bombs over Burma (Joseph H. Lewis, 1943), both anti-Japanese propaganda made by the poverty row studio Producers Releasing Corporation. She donated her salary for both films to United China Relief. She invested in real estate and owned a number of properties in Hollywood. Charlotte Ander was born Charlotte Andersch in 1902 in Berlin.
She loved animals, and at one time she owned a leopard (Chiquita), a chimpanzee (Ethel), a pig (Albert), a snake (Kiki), a goat, a parrot, parakeets, fish, three cats and seven dogs. Uninflectedness or indeclinability are a puzzling phenomenon in inflectional laguages. In this thesis the theoretical prerequisites limefx website for speaking of uninflectedness/indeclinability are first explored and then the regularities and circumstances of indeclinability in Slavonic languages are investigated, showing a continuum from East via West to South Slavic. Quotex is an innovative platform with up to 98% return on every investment!